Fergus Feehily Industrial Design transformation and coming-of-age amongst marginalised

transformation and coming-of-age amongst marginalised communities in the heart of the Amazon

(W)3" x (H)5

Ancient surfaces and architectures ripple with evidence of their deep time

isn’t it simply a way in which to appropriate his own work

Federal Office of Culture (Bern)

Fergus Feehily Industrial Design transformation and coming-of-age amongst marginalisedOIL, CARPET TACKS, ACRYLIC, GESSO, GOUACHE, TWIGS, THE OCCASIONAL SPRAY PAINT, PENCIL, DABS OF WATERCOLOR, FOUND PHOTOGRAPHS, FOUND FRAMES, BANDAGES, A PAPER BAG OR TWO, SCREWS, ALUMINIUM FOIL, SWEET WRAPPERS, SCRAP WOOD. THE MARGINAL MEETS IN THE PAINTINGS OF FERGUS FEEHILY (1968, DUBLIN, IRELAND), PAINTINGS THAT THEMSELVES STAND AT THE PERIPHERY OF CONTEMPORARY PAINTERLY CONVENTIONS WHOSE SUBTLE ACTIVITY, AS MARTIN HERBERT OBSERVES, IS ON ITS WAY