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' which was recorded on Crane's laptop at Brusseu's residence
Miminokoto) turn in a side of psych folk
taunting and teasing to the end
Moorhouse would surely have shocked and amazed us with more musical mayhem had his life not been tragically cut short at the end of the 1970s
On The Fame
Agalma mf8 ' which was recorded onVeteran NYC based Scottish electronic musician Drew McDowall's latest work is his loftiest, most liturgical, and least industrial outing to date and potentially the apex of his recent discography. Named after an ancient Greek word for votive offering, Agalma exudes a hooded, devotional aura, creaking and keeling under vast rafters of stone, stained glass, and shredded wires. It's a music of majesty and mystery but also modernity, McDowall's refined