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Printed for the typographic part at the Hofer printing house in Paris
impressa da Mourlot Frères per l’editore Tériade
Suzuki's interpretation as a distinction between "real image" (jitsuzō) and "illusion" (kyōzō) may seem overly philosophical
acid free at 210 grams in a total of 100 copies
Hokusai illustrates the pilgrims as they move along the edge of the crater
ARTE POPOLARE DELL’AFRICA CENTRO-ORIENTALE, Figura maschile, Fine XX-inizio XXI secolo sculture Printed for the typographic partStatue in mahogany carved and pigmented, from Uganda. The style is inspired by the traditions of the Congolese basin, particularly from the tribes of Songye and Luba. The geometric and chromatic decorations on the face refer to a symbolic language related to protection and belonging; they are signs that do not have a unique and codified meaning: they were fluid codes, readable only by the initiated, and varied from clan to clan. The circle, for
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