HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 58, 1835 vasi The compositional idea is particularly

The compositional idea is particularly clever: the net becomes both a working tool and a visual device that frames the landscape

author of famous verses dedicated to Fuji: «Tago no ura ni / uchidete mireba / mashiro no zu / Fuji no takane ni / yuki wa furitsutsu» («Passing on the beach of Tago

Table from Chinese Moonlight

predicava un ritorno alla primitiva essenza del buddhismo

serving instead as a poetic title for a rural scene

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 58, 1835 vasi The compositional idea is particularlyStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New